I’ve devoted my life to performance: acting, directing, teaching and writing. I’ve been fortunate in that I’ve always worked, which was my first goal. Along the way I reached many of other the goals I set for myself.
It’s still the most interesting thing to me, the need of human beings to share stories and all of the mediums and styles in which we do that.
And I have never stopped asking myself questions.
Why are some actors so compelling? What are they doing that I can learn to do? What is it about the vulnerability of an actor that can be so fantastic, and so unsettling? How can I communicate the craft to young actors so that they see the beauty, the risk, the dignity of the role of the fool in our society? When will I get my next gig?
When the lights go down in the theater my heart lifts up. Another story is on the way, and I can’t wait to see it, hear it, tell it, and give it away.
Excerpts from Recent Reviews:
Ms. Strimbeck gives us a robust and eccentric Arcati; equal parts legitimate shaman and fellow seeker of truth. She invests the character with the confidence of someone who knows what she believes because she’s seen it with her own eyes, and still glories in what she has yet to encounter. In a relatively “light” play, a very talented actor gives us a very three-dimensional character.
Leigh Strimbeck owns the stage at the Byrdcliffe in the role of the hippie spiritualist, playing her as cannier and less absurd than the rest of the characters are inclined to believe (or to behave themselves). There’s a little more going on here than your garden-variety shyster occultist fleecing the gullible masses with her airy-fairy mumbo-jumbo. Coward gave Madame Arcati’s flaky dialogue internal logic, and Strimbeck makes us root for her to prevail. That she travels everywhere sustainably by bicycle, day and night in all weathers, adds a surprising timeliness to this character….And Strimbeck grabs our delighted attention every time Madame Arcati swoops in.
…cast, and director are actually a perfect match….Joe Keller and his wife, Kate, (an extraordinary Leigh Strimbeck)
David Bunce and Leigh Strimbeck play George and Martha. Bunce, easily doing his best work ever, is remarkable as George, and Strimbeck is often genuinely fearsome as the cat in the corner Martha. They hurl insult after insult, while riding waves of emotion, Scotch and gin.
Her lover, nurse Joan, is played by Leigh Strimbeck, with an assurance and sense of place and purpose that is absolute. There is no denying Joan is a nurse. It would seem that there is no acting going on here, but this Joan is THE Joan and that Joan is a nurse.